{"id":2919,"date":"2023-02-22T16:16:53","date_gmt":"2023-02-22T19:16:53","guid":{"rendered":"https:\/\/museu.io\/tema\/?post_type=mio_exhibition&p=2919"},"modified":"2023-05-12T15:19:27","modified_gmt":"2023-05-12T18:19:27","slug":"information","status":"publish","type":"mio_exhibition","link":"https:\/\/museu.io\/tema\/exposicao\/information\/","title":{"rendered":"Information"},"content":{"rendered":"
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02.07 at\u00e9 20.09
1970<\/p>\n<\/div>\n\n<\/div>\n\n

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MoMA
New York, EUA<\/p>\n<\/div>\n\n<\/div>\n\n

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Curador: Kynaston McShine<\/p>\n<\/div>\n\n<\/div>\n<\/div><\/div><\/div>\n\n\n\n

“Information” foi uma pesquisa cr\u00edtica, e talvez a primeira na Am\u00e9rica, da arte conceitual. McShine, ent\u00e3o curador associado do departamento de pintura e escultura do MoMA, enquadrou “Informa\u00e7\u00e3o” como um “relat\u00f3rio internacional” sobre o poder globalizante e democratizante das novas tecnologias (que, na \u00e9poca, significava fotografia, televis\u00e3o, cinema, sat\u00e9lites e viagens a jato ) que deu aos artistas novos caminhos para fazer. Muitas das obras da mostra (de artistas como Vito Acconci, Daniel Buren, Art & Language, Jan Dibbets, Ed Ruscha, Robert Smithson, Jeff Wall e Dennis Oppenheim) exigiram a participa\u00e7\u00e3o ou ativa\u00e7\u00e3o do p\u00fablico, sendo o exemplo mais not\u00f3rio o de Hans Haacke MoMA Poll, onde os visitantes do museu foram entrevistados sobre a atitude do ent\u00e3o governador Nelson Rockefeller em rela\u00e7\u00e3o \u00e0s pol\u00edticas do presidente Nixon na Indochina. Rockefeller fazia parte do conselho do museu; Haacke escapou deixando a pergunta espec\u00edfica que a enquete faria em sua proposta inicial ao museu. (Talvez seja o exemplo mais famoso da chamada “cr\u00edtica institucional”.) Por seu engajamento pol\u00edtico, envolvimento participativo com seu p\u00fablico e apoio ao trabalho baseado na m\u00eddia, “Informa\u00e7\u00e3o” foi um projeto pioneiro.<\/p>\n\n\n

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Exposi\u00e7\u00f5es em destaque<\/h2>\n\n\n
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\"\"<\/div><\/figure><\/div>\n\n\n
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EXPOSI\u00c7\u00c3O TEMPOR\u00c1RIA<\/p>\n\n\n\n

Infinity Mirror Room<\/h2>\n\n\n\n

De 04 de abril at\u00e9 30 de setembro<\/p>\n<\/div>\n\n<\/a><\/div>\n\n

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\"\"<\/div><\/figure><\/div>\n\n\n
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EXPOSI\u00c7\u00c3O TEMPOR\u00c1RIA<\/p>\n\n\n\n

Ai Weiwei: According to What?<\/h2>\n\n\n\n

De 07 de outubro at\u00e9 24 de fevereiro<\/p>\n<\/div>\n\n<\/a><\/div>\n\n

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EXPOSI\u00c7\u00c3O TEMPOR\u00c1RIA<\/p>\n\n\n\n

When Attitudes Become Form<\/h2>\n\n\n\n

De 04 de abril at\u00e9 30 de setembro<\/p>\n<\/div>\n\n<\/a><\/div>\n<\/div><\/div>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

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